Generally speaking, I'm over zombie movies. Although classics like 28 Days Later along with the initial episodes from The Walking Dead proved gripping, the genre seems largely depleted at this point. Even the much-awaited 28 Years Later remains sitting on my to-watch queue for months. But, the platform's new Indonesian zombie flick, The Elixir, succeeded in defy my expectations turning out quite entertaining.
Impressive Rhythm and Character Development
One of the film's greatest strengths is its excellent pacing. It begins with a memorable opening sequence in which a calm family gathering is violently disrupted when a vehicle crashes into the guest area. Out of the van, an extremely zombie-like individual stumbles out and begins attacking the attendees. This dramatic scene is immediately succeeded by a look back, giving viewers to observe the family prior to the tragedy occurred.
Unlike many zombie films, The Elixir truly gives viewers enough time to get to know its main personalities before the chaos ensues. We meet Nes, a married mother with a ex best friend, Karina, has become married to Nes' father—an obviously uncomfortable dynamic. Naturally, this has understandably caused a falling out between Nes and Karina. We also see her sibling, Bang, described as kind-hearted but a bit inept socially, and who enjoys gaming alongside his nephew, Raihan. Her spouse, Rudi, appears to have lately been unfaithful to her. The family head consists of her dad, who runs a popular natural medicine business called Wani Waras, and who seems focused on only two things: his work and his wife to his daughter's ex-best friend. Needless to say, this gathering proves incredibly strained.
Invested in the Drama
I became so invested in the family's dynamics along with their interpersonal drama that I almost forgot this was a scary movie—which might sound like a drawback, but ultimately paid off. The Elixir spends a significant amount of the film depicting viewers who each relative is, and how they contribute to the general dysfunction. This focus on clashing personalities allowed me to connect to the personalities sufficiently to be concerned for their outcome—an uncommon feat in a genre which frequently presents individuals only to eliminate them shortly afterwards. The Elixir avoids portraying its characters as two-dimensional, disposable victims for a horde of the undead to consume, so it's a genuine surprise once events eventually deteriorate.
Evocative of Parasite
The opening scenes from the gathering and the multiple family interactions in fact evoke the movie Parasite, a story that masquerades as a Korean drama with slightly dark humor before making an abrupt turn toward "holy shit" territory. These early moments aren't centered too heavily on humor as Parasite, but The Elixir nonetheless provides sufficient time to settle into its world prior to it gets upended.
Unique Infection Origin
This movie additionally presents a quite intriguing reason regarding the origin of the spreading transformation. Instead of a unintended laboratory incident or some sort of bioweapon, the cause for this contagious disease originates in a new batch of Wani Waras natural medicines developed by Nes' father. Although some background is provided something regarding its origins, it would have been better if the movie devoted additional focus on how Wani Waras went from a reputable supplier of natural treatments to producing a lethal potion which seems to include a highly contagious virus. Regardless of the lack of context, the effect this affliction produces on people is absolutely disgusting, which I appreciate. The Elixir's undead are quick, freaky-looking, and, perhaps worst of all, always smiling. This is a bold choice, yet it works. The Elixir's practical effects and computer graphics are also very realistic, and are practically certain to trigger a fear of holes.
Capable Characters
Even better compared to the gross-out scenes is the cast themselves. Certainly, there are some instances of dubious decision-making (as in typical zombie movie), however generally, Nes and her family are resourceful and sharp. Additionally, they aren't afraid to kick a zombie in the head, stab it with a pitchfork, or beat it on the skull with the nearest heavy object they find instead of standing still like a deer caught in lights while danger nears.
Realistic Family Discord
The Elixir doesn't drop its themes on family conflict once individuals start turning to the undead, which was a welcome authentic subversion from that "We don't get along|"We have issues, but since you nearly died I immediately pardon you for everything! trope often seen in apocalyptic movies. It's clear, Nes cares for her family and values her husband, Rudi, yet it's equally clear she's still holding onto bitterness regarding his infidelity of their marriage vows. Once the household becomes split up, they decide via telephone to regroup at a nearby spot. But when Bang reveals he doesn't know the way to the location, Nes unleashes a massive level of irritation on her brother that's clearly been building for years. Nes isn't perfect, and her relatives—with all their imperfections—feel authentic and relatable because the film avoids attempting to push the idea that nearly dying instantly cures family tensions. This causes those instances where these individuals do show appreciation toward one another feel far more sincere.
Stereotypical Ending
In spite of The Elixir's best attempts to break new ground, the conclusion is admittedly a bit stereotypical. The Elixir doesn't truly offering up any deep insight regarding relatives or community, as well. Instead, it's primarily delivering frights. Yet these are successful scares, and since the movie allows every personality sufficient space to grow and avoids penalizing them for having flaws, the outcome proves an engaging and enjoyable
